Through a lens, accurately

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Total Internal Reflection is a big fan of the films of Wes Anderson. Whether it’s the European Gothic of The Grand Budapest Hotel, the quixotic romance of Moonrise Kingdom, or the chamber/hotel drama of The Royal Tenenbaums, Anderson’s work has established him as an original and highly distinctive voice in the world of cinema.

But for scientists, there’s one of his films that should stand out amongst all others – The Life Aquatic with Steve Zissou. If ever a non-scientist wished to understand the vagaries and vicissitudes of the academic life, they could do a lot worse than sitting down to digest this film. Continue reading

Jacks of all Trades

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I was riding a train back from Munich recently and a headline on a free magazine caught my eye. “Einer für Alles”, proclaimed the headline over a picture of youngish German theatre director Florian David Fitz, “Er schauspielert, schreibt, und fuhrt Regie”. (He acts, writes, and directs)

It’s clearly a broad portfolio for one of our cousins in the Arts, and one that few manage to replicate. Yet acting, writing, and directing are essentially different facets of the same process – the writer constructs a part, the performer brings it to life, and the director guides and oversees the process. Shifting between these roles, while undeniably challenging, is primarily a shift in perspective and responsibility (are you taking charge of one character, or many?).

Conversely, a scientist must be an able experimentalist, a good writer, a good presenter, a good teacher, and a good leader and mentor. And these activities have far less in common than writing/acting/directing for theatre – the scientific mindset must be channelled into a wide range of academic conduits, few of which come naturally. Continue reading